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LIVEPAD 12CX

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Discounted Price	Php 24,000.00
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Overview:

With six transparent sound mic inputs, four stereo line inputs and the 2tk in/out RCF L-PAD 12CX is the ideal tool for small band gigs, complex conference, corporate events and all situations where it is necessary to handle several signals.

Four single-control compressors on mic channels help to handle even the more dynamic-complex signals
The 99 preset Internal FX DSP allows the sound to be enhanced by adding accurate and warm effects
When not in use for Internal effects the FX send and the AUX sends allow small stage control, with the appropriate wedge monitors
The super versatile L-PAD slot permits the optional L-PAD MP3 PLAYER, PLAYER/RECORDER or BLUETOOTH CONNECTION cards to be inserted.

DESIGN

The unique design of the L-PAD series mixers comes from the typically Italian flair and creativity of the RCF design offices. The line project of the L-PAD mixer combines a modern and ergonomically-superior design. The side profile presents an original aesthetic, ensuring at the same time that the mixer can be grabbed in an easy and secure way.

FADERS

Long Life Ultra reliable 60mm faders. All the faders passed a long life use test including several tens go thousands of complete cycles.

REALIBILITY

All mixers in the L-PAD series undergo four extensive instrumental quality tests during their construction. At the end of the production process they are tested once again, this time via a listening test, and are given an aesthetic quality control test to look for the presence of defects such as scratches or dents. All this is to guarantee a high level of reliability and to ensure the customer purchases a high quality standard product

TRANSPARENT SOUND

The L-PAD mixer series inherits the RCF concept of "Sound Culture". Extreme care in the design and realization of circuits provide L-PAD mixers with sonic transparency, combined with an accurate dynamic and extreme versatility of use.

Features:

6 mono INPUT + 4 stereo INPUT
4 Compressors (Ch. 1-4)
3band/2band EQ
1 AUX send
1 FX send
Internal Digital Effects: 99 preset
Internal PSU 100V-240V, 50-60Hz, 40W

Internal Effects

L-PAD 12CX offers a powerful internal effects DSP. The 99 preset selector allows you to choose between several harmful effects.

ECHO: ideal effect for delay effects. Use it for vocal or brass
ECHO+VERB: deeper and more sophisticated effect than ECHO preset
TREMOLO: ideal for particular guitar effects
PLATE: suggested for snare drum percussions like congas or timbales
CHORUS: try it on acoustic guitar or to create a deeper stereo effect on background vocal
VOCAL: ideal to add depth and intensity to main vocal or solo instruments
ROTARY: great for Hammond organ or Rhodes Piano
SMALL ROOM: try it over small percussions like castanet or claves
FLANGE+VERB: great on electric guitar for particular effects
LARGE HALL: good for voices, power electric guitar and main instruments, especially on ballad songs

Panel Features and Functions:

MIC Input (Ch.1 - Ch. 7/8) - Connect your microphone to these balanced XLR connectors pin1=Earth, pin2=Hot, pin3=Cold. These inputs are provided with +48V phantom power for condenser or electret microphones. Gain scale 0 dB/-50 dB

LINE Input (Ch. 1 - Ch.4) - Connect your line level devices to these TRS jack connectors: tip=Hot, ring=cold,sleeve=earth. These inputs are suitable for external pre-amplifier and DI boxes . Gain scale +15 dB/-35 dB

INSERT (Ch. 1 - Ch. 4) - These TRS connectors: tip=send, ring=return,sleeve=common earth allow to send the signal , thru an unbalanced line, to external devices (i.e compressor) and return the processed signal back into the channel

GAIN (Ch. 1 - Ch. 6 ) - This control the level gain (0 dB/-50 dB for microphone input and +15 dB/-35 dB for line input when in use)

LOW CUT SWITCH - Press this button to cut off frequency below 75 Hz with a slope of 12 dB/oct. This is useful to prevent rumbling when using microphones

AUX : It is an auxiliary send, level (- infinity) to +15 dB. The signal is routed to the AUX SEND output jack. The POST/PRE function determines whether to extract the signal after the fader position or independently from it.

PRE/POST BUTTON : When released , the signal is extracted in pre-fader position (independently from the fader level) ; when pressed, the signal is extracted from post-fader position (the send level depends on the fader level)

FX SEND : This potentiometer sends the signal to the internal effects device. The signal is also routed to the FX outpt jack. The signal is extracted in post-fader position

PAN or PAN/BAL - This control defines the signal stereo imaging for mono channels or left-right balance for stereo channels

MUTE BUTTON - Press this button (red LED on) to mute the channel

PFL BUTTON - Press this button to listen the signal through the PHONES output even if the fader is in (-infinite) position or muted. This function is useful to check the channel input level

GROUP 1-2 BUTTON - Press this button to route the channel signal to the group 1-2 output . In this case, the PAN/BAL position control defines the quantity of signal routed to GROUP 1 or GROUP 2.

L-R BUTTON - Press this button to route the channel signal to the MAIN MIX Output

FADERS Ch.1 - Ch. 4 : Mono Channels level control

FADERS Ch.5/6 - Ch. 7/8 : Mono/Stereo Channels level control

FADERS Ch. 9/10 - Ch. 11/12 : Stereo channels level control

MAIN MIX OUTPUT - XLR balanced male connectors. Plug in your active speakers or main sound reinforcement system amplifier (for passive speakers) of here. The output level is +4 dBu. This output is repeated on the TRS jack

CONTROL ROOM OUTPUT - Plug your studio monitor or local speakers into these TRS jacks.

GROUP OUT OUTPUT - TRS jacks . Plug in the lines to be routed to locations or devices other than MAIN here.

AUX SEND OUTPUT - Plug a wedge stage monitor or external FX device into this TRS jack. The processed signal from the FX devices is returned to the mixer via the stereo return jacks

FX SEND OUTPUT - The signal going to the Internal FX is replicated in this TRS jack for different application . If the internal FX device is not used. FX SEND can be used as second AUX SEND for connecting a further wedge monitor.

PHONES - TRS stereo jack, tip=left,ring-right,sleeve=common earth. Plug in your headphones here to listen to MAIN MIX or PFL when pressed.

FOOTSWITCH - TS Connector , Tip=FX, Sleeve=Earth. Connect a footswitch here. Press once to bypass the FX, press again to resume the FX. The same function is available for the FX MUTE button

OUTPUT LEVEL - These LEDs show the MAIN MIX OUTPUT level. Keep under CLIP level to prevent generating distorted sounds or dangerous sound levels

ST RETURN CONTROL - This defines the STEREO RETURN input signal level routed to MAIN MIX output

TO AUX CONTROL - This defines the signal STEREO RETURN input level routed to AUX1 output

SEND AUX CONTROL - This is the AUX SEND master level control

FX CONTROL - This is the FX SEND master level control

CONTROL ROOM/PHONES CONTROL - This defines the signal level routed to CONTROL ROOM output and PHONES output

MAIN MIX-GROUP 1-2 SWITCH - In upper position allows you to listen the MAIN MIX through the CONTROL ROOM speakers. When pressed, it allows to listen to GROUP 1-2 va the CONTROL ROOM speakers.

2TK IN/MP3 CONTROL - This defines the signal level from the 2TK IN input or from optional cards (such as the RCF mixing consoles player,recorder,or bluetooth cards) routed to MAIN MIX output

TO MAIN MIX/TO CONTROL ROOM SWITCH - Defines where to route the signal coming from 2TK IN or optional cards : to MAIN MIX when in upper position, to CONTROL ROOM when pressed (lower position)

INTERNAL FX PROGRAM SELECTOR - This encoder can be used to select one of the 100 effects available on the internal DSP . Press the encoder to confirm the selection.

FX TO AUX CONTROL - This defines the signal level of the internal FX return routed to the AUX

FADER GROUP 1-2 - GROUP 1-2 signal level control . The GROUP 1-2 signal is routed to the MAIN MIX when the L-R Button is pressed

FADER MAIN MIX - MAIN MIX OUTPUT level control

Suggested Studio Configuration:

Specifications

Mono Channels

Microphone Input ...............XLR balanced
Frequency Response................20 Hz to 22 kHz , +/-1 dB
Distortion (THD+N) .............. < 0.03% @+0 dB, 22 Hz~22 kHz A-weighted
Gain Range .........................0 dB to -50 dB
Max. Input.......................+15 dB (balanced)
LOW CUT .............................75 Hz
SNR................................. < - 100 dBr A-weighted
Phantom Power .................+48V with switch control
Line Input..............................1/4" TRS balanced
Sensitivity Range..............+15 dB ~ - 35 dB
Compressor................GAIN: 0----> 9 dB | THRESHOLD: 20 dB -----> 5 dB

Stereo Input Channels

Mic Input ................ XLR balanced
LOW CUT...................75 Hz
Line Input...................1/4" TRS or TRS/RCA unbalanced
Frequency Response...................... 20 Hz to 22 kHz, +/-1 dB
Distortion (THD+N) ...........<0.03% @+0 dB, 22 Hz ~22 kHz A-weighted
Sensitivity Range............... - 15 dBu ~ +35 dBu
SNR................................ < - 100 dBr A-weighted

Channel EQ

High.............+/-15 dB @ 12 kHz (Mono channel) , +/-15 dB @ 12 kHz (stereo channel)
Mid...................+/-15 dB @ 2.5 kHz (Mono channel)
Low...................+/-15 dB @ 80 Hz (Mono channel) , .+/-15 dB @ 80 Hz (stereo channel)

2-Track In

Tape In................ RCA jack
Frequency Response...................20 Hz to 22 kHz, +/-1 dB
Distortion (THD+N) ......................... <0.03% @+0 dB, 22 Hz~22 kHz A-weighted
Gain Range..............................OFF to 15 dB

Stereo Returns

Input.........................................1/4" TRS unbalanced
Frequency Response...............20 Hz to 22 kHz, +/-1 dB
Distortion (THD+N) ......................... <0.03% @+0 dB, 22 Hz~22 kHz A-weighted
Gain Range..............................OFF to +15 dB
SNR....................... < - 100 dBr A weighted

Impedances

Microphone Input................1.8 kOhm
All other inputs.....................10 kOhm or higher
Tape Out............................1 kOhmn
All other Outputs....................120 Ohm

DSP Section

A/D and D/A Converters ...................24 bit
Type of Effects....................Echo,Echo+Verb,Tremolo,Plate,Chorus,Vocal Rotary, Small Room,Flange+Verb,Large Hall
Controls..............................100 position presetting selector (10 preset effects*10 variations) Mute switch & footswitch with LED indicator
FOOT-SW..............................TIP:FX SLEEVE:EARTH

Main Mix Section

Max. Main Mix Output.................. +22 dBu XLR balanced (+16 dBu unbalanced)
AUX Range...........................................OFF to +15 dB
Fader Range..........................................OFF to +10 dB
Phones/Control Room Range................ OFF to +15 dB
Hum and Noise........................ < -80 dB @ 20 Hz ~22 kHz A-weighted 1 channel & main level : 0 dB, other channels:minimum
Crosstalk............................. <-80 dB @ 0 dB 20 Hz~22 kHz A-weighted Main level:0 dB, other channels:minimum

Power Supply

Main Voltage ................. 100-240V AC ~50/60 Hz
Fuse.............................T1.6AL AC250 V
Power Consumption................40W max

Product Details
Product Name	LIVEPAD 12CX
Brand	RCF
Sale Price	Php 24,000.00
Mileage	Points :240.00
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Product Code	P0000HXC
Product Details	12ch Analog Mixer with Effects
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