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Discounted Price | Php 8,000.00 |
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Overview:
Let's face it. If you could fit one of our flagship Onyx 1640i consoles into your workspace and budget, you probably would do it. But that shouldn't mean you have to settle for the cheapest, plastic 2x2 interface available. We've spent serious time and research creating the Onyx Blackjack Premium USB Audio Interface. It delivers the same proven Onyx preamps as our other flagship Onyx products in an ultra-compact, ergonomic desktop design perfect for your home studio. Other professional features include high-end AD/DA converters, built-in DIs, phantom power and true analog hardware monitoring of inputs for hassle-free zero-latency tracking, in either mono or stereo. The USB connection provides bus-power to the Blackjack, eliminating the need for another cable run. Plus, it's Mac/PC friendly and ready for most major DAWs right out of the box. So, don't settle. Be smart and check out the Onyx Blackjack - the utmost in sonic quality and simplicity.
Great recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackjack’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.
Quality doesn’t stop at the boutique Onyx preamps. The Onyx Blackjack uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on smaller interfaces.
Latency is evil and must be punished. If you have recorded with digital gear, chances are you feel the same way. It’s a pesky computer-induced delay that can quickly kill the vibe of any recording session. Blackjack puts this issue to rest once and for all, featuring a true analog monitoring path directly from the preamps to your studio monitors and headphones. This means you can track while listening to the direct analog source with zero routing. Not only that, it also means you can adjust your buffer settings to maximize your computers processing ability. Oh yeah, Blackjack also allows you to track with zero latency in either mono or stereo, so you can get the right vibe when recording stereo signals like acoustic guitars and keyboards.
No other ultra-compact desktop interface delivers as many professional features as the Onyx Blackjack. Both channels double as built-in DIs for direct connection of guitars, basses, keyboards, drum machines, etc. Both channels also deliver 48V phantom power, so you can use studio-quality condenser mics with no problem. The studio monitor and headphone outputs have independent level controls for maximum flexibility. Plus, the Onyx Blackjack is bus-powered via USB, so there’s no power supply to lose or another cable cluttering your workspace. It also comes with Mackie’s Tracktion 3 Music Production software, so you can get started recording right away.
Most desktop interfaces have a serious flaw: their construction. First off, most are made of cheap, breakable plastic. Onyx Blackjack features a sleek, powder-coated all-metal chassis that is truly “Built-Like-A-Tank”. You could literally use it as a hammer to smash the competition (not recommended at your local store). Second, when they are sitting on your desk, the competition lies flat, with no way to read the markings on the front panel. Have you ever accidently turned the wrong knob during your session? Not fun. The Onyx Blackjack sits with a 25-degree inclination, allowing for full view of all controls at all times, meaning more recording time and less hassle. A good idea – right?
So there you have it. An extremely simple, but very powerful desktop interface that delivers all the features you want in a design that could fit in your man purse. Small studio. Big solution. Onyx Blackjack.
Features:
1.) MIC/LINE/HI-Z INPUTS - These dual Onyx mic preamps accept both balanced microphone inputs from an XLR connector and balanced and unbalanced line-level inputs fro a 1/4" TRS connector.The microphone preamps feature our Onyx design, with higher fidelity and headroom rivaling any standalone mic preamp on the market today.
2.) 1/4" L/R MONITOR OUT - These 1/4" connectors provide a balanced or unbalanced line-level signal that is designed to be used to provide a monitor mix to a pair of powered studio monitors or amplifier powering passive studio monitors
3.) USB INPUT/OUTPUT - The built-in USB interface allows for some powerful and flexible routing. It is a 2x2 interface allowing you to record two streams and/or input stereo playback from a computer and route it to the monitor outputs or headphones
Front Panel Features:
4.) GAIN CONTROL - the gain knobs adjust the input sensitivity of the mic and line inputs. This allows signals from the outside world to be adjusted to run through each input at optimal internal operating levels
5.) SIG / OL LED - This dual-colored LED will illuminate green when the channels inputs signal (at least -20 dBu) is present , indicating signal (SIG) . It will remain lit non-stop so long as there is signal above -20 dBu present in that channel
6.) HI-Z SWITCH - Engage this switch if you want to connect guitars directly to the 1/4" line inputs
7.) To MON LEVEL - This knob is used to monitor input signals using studio monitors or headphones.
8.) MONO / STEREO SWITCH - This switch allows you to choose whether to monitor the inputs in mono or stereo. Signals are still recorded as independent streams in either scenario
9.) MONITOR LEVEL - This knob is used to adjust the volume at the monitor output, from off to maximum gain (max). When microphones are connected , always make sure that the To Mon knob is down in the input monitor section before turning the monitor volume up
10.) PHONES LEVEL - This knob is used to adjust the volume at the phones output from off to maximum gain (max). Phones are ideal for use with the input monitor section when recording in just about all scenarios
11.) HEADPHONE OUTPUT - This 1/4" TRS connector supplies the output to your stereo headphones. It is the same signal that is routed to the monitor outputs. The volume is controlled with the phones knob , right next to the monitor knob.
12.) 48V PHANTOM POWER and LED - Most modern professional condenser mics require 48V phantom power, which lets the interface send low-current DC voltage to the mic's electronics through the same wires that carry audio.
13.) USB LED - This LED will illuminate green when the computer is powered on and connected successfully and securely (via USB) to the Onyx Blackjack. Different from the power LED , the USB light informs you that the device is "enumerated" and in a functional and happy state.
14.) POWER LED - This LED will illuminate green when the computer is powered on and connected successfully and securely (via USB) to the Onyx Blackjack
Specifications:
ADC | 24-bit Dynamic Range: 114dB typical, 10Hz to 20kHz, A-weighted THD + N: 0.0006% typical, 0.0011% maximum, 10Hz to 20kHz, -1dBFS |
DAC | 24-bit Dynamic Range: 114dB typical, 10Hz to 20kHz, A-weighted THD + N: 0.001% typical, 0.002% maximum, 10Hz to 20kHz, -0dBFS |
Inputs | 2 x XLR/TRS Combi Microphone/Line |
Outputs | 2 x 1/4" TRS phone Monitor Out, balanced or unbalanced (rear panel) 2 x 1/4" TRS phone Headphone (front panel) |
MIDI | No |
Connectivity | USB |
Sample Rate | 44.1 and 48kHz |
Buffer Size | 96, 128, 256, 512, 1024 |
Input Level | Microphone: Maximum: +10dBu (gain @ minimum) Maximum: -50dBu (gain @ maximum) Line: Maximum: +25dBu (gain @ -15dB) Instrument: Maximum: +8dBu (gain @ -15dB) |
Input Impedance | Microphone: 3kΩ Line: 18kΩ balanced 9kΩ unbalanced H-Z: 1MΩ |
Gain Range | Microphone: 60dB |
Output Level | Monitor: +10dBu (@ unity/maximum) Headphones: 8mW into 600Ω, 1% THD+N (@ unity/maximum) |
Output Impedance | Phones: 25Ω Monitors: 300Ω balanced 150Ω unbalanced |
Phantom Power | 48VDC, 10mA maximum per microphone |
THD + N | Microphone to Monitor (direct monitor analog path, stereo) 22Hz to 22kHz bandwidth, 1kHz: <0.002% (+4dBu In, unity gain, +4dBu Out) Line to Monitor (direct monitor analog path, stereo) 22Hz to 22kHz bandwidth, 1kHz: <0.002% (+4dBu In, unity gain, +4dBu Out) Hi-Z to Monitor (direct monitor analog path, stereo) 22Hz to 22kHz bandwidth, 1kHz: <0.004% (+0dBu In, unity gain, +0dBu Out) Phones 22Hz to 22kHz bandwidth, 1kHz: <0.003% (7mW into 600Ω Microphone to USB Record (AD) 22Hz to fs2 bandwidth, 1kHz: <0.002% (+4dBu in, unity gain, -7dBFS record) USB Playback to Monitor Out 22Hz to 22kHz bandwidth, 1kHz: <0.002% (-6dBFS playback, +4dBu out) |
Noise | EIN, microphone input to USB record, 150Ω source impedance, 22Hz to 22kHz: -124dBu (maximum gain) EIN, microphone input to USB record, 40Ω source impedance, 22Hz to 22kHz: 126dBu (maximum gain) Direct Monitor Output Noise, Monitor and To Monitor levels unity/maximum, 22Hz to 22kHz: 95dBu USB Record Noise Floor/Dynamic Range microphone input/minimum gain, 1kHz -60dBFS: -112dBu dBFS Noise, A-weighted, -101dBu equivalent microphone input noise @ unity gain -110dB Dynamic Range, A-weighted USB RPlayback Noise Floor/Dynamic Range (Monitor output, Monitor level unity/maximum, To Monitor off/minimum, 1kHz -60dBFS): 97dBu Noise, A-weighted, -107dBFS equivalent digital noise, 106dB Dynamic Range (relative to +9dBu) |
Crosstalk | To Mon or Monitor knob off/minimum: <-100dB , 20Hz to 20kHz BW, 1kHz Any Channel to Any Other: <-80dB , 22Hz to 22kHz BW, 1kHz |
CMRR | Microphone Input, 150Ω termination: >-50dB @ 1kHz |
Frequency Response | Microphone to Monitor Outputs (direct monitor analog-only path, stereo), unity gain: 15Hz to 50kHz, +0.0dB/-0.2dB Line to Monitor Outs (direct monitor analog-only path, stereo), unity gain for 1/4" TRS input: 10Hz to 25kHz, +0.0dB/-1.0dB USB Through, microphone input to monitor output, unity gain (To Mon off/minimum): 15Hz to 21kHz, +0.0dB/-0.2dB (44.1kHz) 15Hz to 22kHz, -3.0dB @45kHz (96kHz) |
Meters | Bi-color channel meters |
Power Requirements | USB bus powered (5V up to 500mA) |
System Requirements | Mac PowerPC G4 or Intel processor OS X 10.5.0 (Intel and PPC), OS X 10.6 (Intel) 512GB RAM FireWire port PC |
Dimensions | 6.6 x 4.3 x 2.8" (167 x 110 x 71mm) |
Weight | 1.5 lb (0.7kg) |
Specialties | Includes Tracktion 3 software for Windows or Mac |
Product Name | ONYX BLACKJACK |
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Brand | MACKIE |
Sale Price | Php 8,000.00 |
Mileage | Points :80.00 |
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Product Code | P0000HUV |
Product Details | USB 2x2 Recording Interface |
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