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and Recording Mixer
Overview
Pro-Quality Analog Mixing and Digital Recording in One Device
StudioLive® AR12 14-channel hybrid performance and recording mixer
The
StudioLive AR12 USB from PreSonus is a 14-channel hybrid performance and
recording mixer well suited for a variety of applications including mixing and
recording live shows, studio productions, band rehearsals, podcasts, and more.
The mixer is packed with analog connections and digital tools that are
powerful, yet easy to learn and use. The mixer features Class-A preamps and
3-band EQ.
The
StudioLive AR12 offers recording with or without a computer. Multitrack record
and fly in backing tracks with its 24-bit/96 kHz, USB2.0 audio interface or
record and playback a stereo mix with the integrated SD digital recorder.
Additionally, the mixer features a Super Channel, which allows you to connect
four stereo analog and digital sources at once, enabling the mixer to be used
with high-tech devices including smartphones and tablets for wireless Bluetooth
streaming. The StudioLive AR12 ships with a power cord, USB cable, Studio One 3
Artist production software, and Capture recording software.
Built
by musicians, for musicians.
StudioLive®
AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows,
studio productions, band rehearsals, podcasts, and much more. This is a
musician’s mixer: lightweight, versatile, feature-rich, and packed with analog
connections and digital tools, yet easy to learn and use. Mix with PreSonus’®
famous Class A preamps and three-band EQ. Create multitrack recordings and fly
in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record
and playback in stereo with the integrated SD™ digital recorder. Stream program
music wirelessly, using onboard Bluetooth®. Compact and road-ready, StudioLive
AR mixers provide a superior all-in-one solution for mixing and recording your
performances.
All
of the connections and controls you need.
StudioLive
AR12 USB mixers are packed with the connections and controls needed to mix and
record live, in the studio, and in rehearsal. Each of the four mono channels
and four stereo channels includes a 60 mm fader for level control; a mic input
with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides
the main outputs, you get two monitor mix outputs, each with a dedicate bus,
for feeding stage wedges, a headphone amp, or an in-ear system. Since the
StudioLive AR12 USB is also a studio mixer, you also get control-room outputs
with level control to feed your studio monitors.
Plug
guitars and basses directly into the mixer.
Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.
Fly
in backing tracks and play break music, too!
Both
the integrated USB recording interface and the SD recorder have multiple uses
beyond simply recording. With just a few backing tracks, your small band can
sound like a much larger act, so we enabled the USB interface to play back two
stereo streams through the mixer—great for backing tracks, click tracks, or
program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files
for hours of program music or backing tracks without needing a computer. And
don’t forget the Bluetooth feature in the Super Channel, which lets you play
break music straight from your smartphone. With several ways to get the job done,
you can work the way you want to.
Sweeten
with digital effects for a polished, professional-caliber sound.
To
get a great mix, you need high-quality effects. The StudioLive AR12 USB has you
covered with an internal stereo effects processor with 16 presets, including an
assortment of room, hall, and plate reverbs; chorus and delay effects; even a
preset that emulates an acoustically treated studio room to provide a warmer,
more intimate tone. A dedicated effects return, complete with master level
fader and dedicated monitor sends, lets you adjust the amount of the effects in
your main and monitor mixes. You can even bypass the effects with a footswitch
(optional). It’s just another way that StudioLive AR mixers enable you to build
professional-quality mixes and recordings quickly and easily.
A
complete solution that’s compact, easy to use, and built for the road.
Compact
and built for the road, the StudioLive AR12 USB is an easy-to-use, all-in-one
solution for audio mixing and recording. With a wide variety of connections,
two ways to record, and a simple, elegant mixing surface, it will quickly
become the heart of your live and studio sound systems. Check it out now at
your favorite PreSonus dealer!
Features
Channels and Buses
Ø 14-channel mixer
Ø 4 mono and 4 stereo
channels, each with:
·
60
mm level fader
·
Pan
·
Mute
·
PFL
solo
Ø 1 stereo Super
Channel (Ch. 13/14)
Ø 2 monitor buses with
PFL solo
Ø 1 stereo effects bus
Ø 1 stereo effects
return with:
·
60
mm master fader
·
Dedicated
monitor sends
·
Effects
bypass footswitch jack
Inputs and Outputs
Ø 2 instrument inputs
Ø 12 balanced line
inputs
Ø 2 unbalanced inserts
Ø 8 balanced mic inputs
with:
·
Class
A microphone preamp
·
Global
48V phantom power
Ø Stereo Super Channel
with:
·
Stereo
RCA inputs
·
1/8-inch
stereo input
·
Switchable
SD™/USB stereo playback
·
Bluetooth
4.1 input
Ø L/R XLR main outputs
Ø 2 balanced TRS
monitor outputs
Ø 1 balanced TRS
effects output
Ø L/R Control Room
outputs with level control
Ø Headphone output with
level control
Signal Processing
·
Highpass
filter on every channel
·
Mono
channels: 3-band semi-parametric EQ with sweepable mid-band
·
Stereo
channels: 3-band semi-parametric EQ
·
Stereo
effects processor with 16 presets
Recording Options
Ø 14x4 24-bit/96 kHz,
USB 2.0 audio recording interface
·
Record
every channel plus the main mix
Ø 2x2 SD recorder
·
Record
main mix
·
Supports
SD™ and SDHC™ formats up to 32 GB
Integrated Software
Ø Capture™ recording
software
Ø Studio One ® 3 Artist
recording and production software (DAW)
Power
Ø Internal power supply
Ø Standard IEC power
connector
Physical
Ø Sturdy metal
construction
Ø 60 mm faders
Ø Rackmount kit optional
Specifications Microphone Preamp |
|
Type |
XLR Female,
Class A |
Maximum Input
level (unity gain) |
Mono
Channels: +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu ±1.0 dB |
Gain Control
Range |
Mono
Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5
to +45 dB |
Frequency
Response to Analog Outputs |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Frequency
Response to USB (Direct) |
20 Hz to 20
kHz, +0.5/- 1.5 dB |
S/N Ratio to
Outputs (+4 dBu) |
89 dB |
THD+N (min.
gain, A-wtd) |
< 0.01% |
Input
Impedance |
1 kΩ |
EIN (+55 dB
gain, 150Ω input, 20 Hz-22 kHz, A-wtd) |
Mono
Channels: < 128 dBu, Stereo Channels <120 dBu |
Common Mode
Rejection Ratio (1 kHz, +55 dB gain) |
65 dB |
Phantom Power |
+48V, ±3V,
Global |
Note: All Channel Inputs sum through
Mic preamp |
Instrument Inputs |
|
Type |
¼” TS Female,
Unbalanced, Hi-Z |
Maximum Input
Level (min. gain, 1 kHz@0.5% THD+N) |
+12 dBu ±1.0
dB |
Gain Control
Range |
50 dB, ±1 dB
(Unity to +50 dB) |
Frequency
Response to Analog Outputs |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Frequency
Response to USB (Direct) |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Dynamic Range
(min. gain, A-wtd) |
> 105 dB |
Dynamic Range
(mid. Gain, unwtd) |
> 108 dB |
THD+N (1 kHz,
-1 dBFS, A-wtd) |
< 0.01% |
THD+N (1 kHz,
-1 dBFS, unwtd) |
< 0.01% |
Input
Impedance |
> 1 MΩ |
Note: All Channel Inputs sum through
Mic preamp |
Line Inputs |
|
Type |
¼” TRS
Female, Balanced |
Maximum Input
Level (min. gain, 1 kHz@0.5% THD+N) |
Mono
Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB |
Gain Control
Range |
Mono Channels
50 dB, ±1 dB (-30 to +20 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB) |
Frequency
Response to Analog Outputs |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Frequency
Response to USB (Direct) |
20 Hz to 20
kHz, +0.5/-1.5 dB |
S/N Ratio to
Analog Outputs (+4 dBu) |
82 dB |
THD+N (1 kHz,
-1 dBFS, A-wtd) |
< 0.01% |
Input
Impedance (Balanced) |
10 kΩ |
Note: All Channel Inputs sum through
Mic preamp |
Main, Control Room, Monitor, and FX
Outputs |
|
Type (Main
Outputs) |
XLR Male,
Impedance Balanced |
Type (Control
Room, Monitor, FX Outputs) |
¼” TRS
Female, Balanced |
Rated Output
Level (Main Outputs) |
+24 dBu, ±1.0
dB |
Rated Outputs
Level (Control Room, Monitor, FX Outputs) |
+18 dBu |
Frequency
Response |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Dynamic Range
(A-wtd) |
> 108 dB |
THD+N
(Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
< 0.01% |
Output
Impedance |
100 Ω |
Headphone Output |
|
Type |
¼” TRS
Female, Stereo, Unbalanced |
Maximum
Output Level |
150
mW/channel @ 60 Ω |
Frequency
Response |
20 Hz to 20
kHz, +0.5/-1.5 dB |
Dynamic Range
(A-wtd) |
> 103 dB |
THD+N
(Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
< 0.01% |
System Crosstalk |
|
Input to
Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) |
-85 dBu |
Adjacent
Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) |
-80 dBu |
Signal Level LED |
|
Signal |
-50 dBFS
(pre-EQ) |
Clip |
-3.0 dB
before clip (pre- or post-EQ) |
Channel EQ |
|
Low Cut |
100 Hz, -18
dB/Octave |
High Shelving |
±15 dB @ 12
kHz |
Mid Peaking
(Mono Channels) |
±15 dB @ 140
Hz to 3.5 kHz (variable) |
Mid Peaking
(Stereo Channels) |
±15 dB @ 2.5
kHz |
Mid-Band Q |
Boost: 0.55,
Cut: 2.5 |
Low Shelving |
±15 dB @ 80
Hz |
Digital Audio |
|
Host
Interface |
USB 2.0 |
ADC Dynamic
Range (Component) |
114 dB |
ADC Dynamic
Range (Measured: A-wtd, 48 kHz) |
105 dB |
DAC Dynamic
Range (Component) |
114 dB |
DAC Dynamic
Range (Measured: A-wtd, 48 kHz) |
105 dB |
Signal-to-Noise
(a-weighted) |
-96 dB |
Bit Depth |
24 bits |
Internally
Supported Sample Rates |
44.1, 48,
88.2, 96 kHz |
Jitter |
< 80 ps
RMS (20 Hz – 20 kHz) |
Jitter
Attenuation |
> 60 dB (1
ns in => 1 ps out) |
SD Recorder |
|
Supported
Media Format |
FAT16
formatted SD™ card, FAT32 formatted SDHC™ card |
Media Storage
Capacity |
SD card: 2
GB; SDHC card: 32 GB |
Recording
File Format |
Stereo WAV |
Playback File
Formats |
Stereo WAV,
MP3 |
Sampling Rate
(WAV) |
44.1 kHz |
Bit Depth |
Recording:
24-bit, Playback: 16- or 24-bit |
Power/Environmental |
|
Connector |
IEC |
Input Voltage
Range |
90 to 240 VAC |
Recommended
Ambient Operating Temperature |
0˚ to 40˚
Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
Height |
3.5” (89 mm) |
Width
(Chassis only) |
15” (381 mm) |
Depth |
15.6” (397
mm) |
Weight |
11.9 lbs (5.4
kg) |
Product Name | SLMAR12C |
---|---|
Brand | PRESONUS |
Sale Price | Php 57,499.00 |
Mileage | Points :574.99 |
수량 | |
Product Code | P0000JFQ |
Product Details | 14-channel Hybrid Performance and Recording Mixer |
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