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StudioLive AR16 USB
16-channel Hybrid Performance
and Recording Mixer
Overview
Pro-Quality Analog Mixing and Digital Recording in One
Device
StudioLive® AR16 18-channel hybrid performance and
recording mixer
Built by musicians, for musicians.
StudioLive® AR16 USB 18-channel hybrid mixers make it
simple to mix and record live shows, studio productions, band rehearsals,
podcasts, and much more. This is a musician’s mixer: lightweight, versatile,
feature-rich, and packed with analog connections and digital tools, yet easy to
learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ.
Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz,
USB 2.0 digital audio interface. Record and playback in stereo with the
integrated SD™ digital recorder. Stream program music wirelessly, using onboard
Bluetooth®. Compact and road-ready, StudioLive AR mixers provide a superior
all-in-one solution for mixing and recording your performances.
All of the connections and controls you need.
StudioLive AR16 USB mixers are packed with the
connections and controls needed to mix and record live, in the studio, and in
rehearsal. Each of the eight mono channels and four stereo channels includes a
60 mm fader for level control; a mic input with one of PreSonus’ prized Class A
preamps; three-band EQ; and more. Besides the main outputs, you get two monitor
mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone
amp, or an in-ear system. Since the StudioLive AR16 USB is also a studio mixer,
you also get control-room outputs with level control to feed your studio
monitors.
Plug guitars and basses directly into the mixer.
Most mixers make you route acoustic and electric guitars
and basses through external direct boxes before connecting to a mixer input.
But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument
inputs, so you can plug a guitar or electric bass straight into the board—no
direct box needed.
It’s inputs; it’s playback; it’s the Super Channel!
Our unique Super Channel (stereo Channel 17/18) allows
you to connect four stereo analog and digital sources at once, enabling you to
use the mixer with your high-tech devices. Plug a media player into the Super
Channel’s unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the
onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use
onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and
instantly have wireless access to your music library for break music, backing
tracks, or ear-training. Have a song you want the rest of the band to learn?
Pair your phone and start rehearsing!
Record in the studio or at the gig—with or without a
computer.
Naturally, you want to record your gigs, as well as
producing studio projects, podcasts, and so on. It’s smart to record your
rehearsals, too. So StudioLive AR mixers offer two different ways to record.
Connect a StudioLive AR16 USB mixer to your computer via USB 2.0, and you have
an 18x4 multitrack digital recorder, ready to capture all input channels plus
the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality.
An onboard stereo SD recorder lets you record the main mix without a
computer—just hit Record and go. Recording can’t get much easier than this!
Fly in backing tracks and play break music, too!
Both the integrated USB recording interface and the SD
recorder have multiple uses beyond simply recording. With just a few backing
tracks, your small band can sound like a much larger act, so we enabled the USB
interface to play back two stereo streams through the mixer—great for backing
tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB
of MP3 and .WAV files for hours of program music or backing tracks without
needing a computer. And don’t forget the Bluetooth feature in the Super
Channel, which lets you play break music straight from your smartphone. With
several ways to get the job done, you can work the way you want to.
Integrated software makes recording a snap.
PreSonus StudioLive AR mixers are tightly integrated with
state-of-the-art recording software to help you achieve your creative vision.
Record with PreSonus’ Capture™ live-recording software, then edit in our
award-winning Studio One® Artist DAW (recording and production software); both
are included free.
Sweeten with digital effects for a polished,
professional-caliber sound.
To get a great mix, you need high-quality effects. The
StudioLive AR16 USB has you covered with an internal stereo effects processor
with 16 presets, including an assortment of room, hall, and plate reverbs;
chorus and delay effects; even a preset that emulates an acoustically treated
studio room to provide a warmer, more intimate tone. A dedicated effects
return, complete with master level fader and dedicated monitor sends, lets you
adjust the amount of the effects in your main and monitor mixes. You can even
bypass the effects with a footswitch (optional). It’s just another way that
StudioLive AR mixers enable you to build professional-quality mixes and
recordings quickly and easily.
A complete solution that’s compact, easy to use, and
built for the road.
Compact and built for the road, the StudioLive AR16 USB
is an easy-to-use, all-in-one solution for audio mixing and recording. With a
wide variety of connections, two ways to record, and a simple, elegant mixing
surface, it will quickly become the heart of your live and studio sound
systems. Check it out now at your favorite PreSonus dealer!
Specifications
Microphone Preamp |
|
Type |
XLR
Female, Class A |
Maximum Input level (unity gain) |
Mono
Channels +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB |
Gain Control Range |
Mono
Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5
to +45 dB |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/- 1.5 dB |
S/N Ratio to Outputs (+4 dBu) |
89
dB |
THD+N (min. gain, A-wtd) |
<
0.01% |
Input Impedance |
1
kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) |
Mono
Channels: < 128 dBu, Stereo Channels: <120 dBu |
Common Mode Rejection Ratio (1 kHz, +55 dB gain) |
65
dB |
Phantom Power |
+48V,
±3V, Global |
Note: All Channel Inputs sum through Mic
preamp |
Instrument Inputs |
|
Type |
¼”
TS Female, Unbalanced, Hi-Z |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
+12
dBu ±1.0 dB |
Gain Control Range |
50
dB, ±1 dB (Unity to +50 dB) |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (min. gain, A-wtd) |
>
105 dB |
Dynamic Range (mid. Gain, unwtd) |
>
108 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) |
<
0.01% |
THD+N (1 kHz, -1 dBFS, unwtd) |
<
0.01% |
Input Impedance |
>
1 MΩ |
Note: All Channel Inputs sum through Mic
preamp |
Line Inputs |
|
Type |
¼”
TRS Female, Balanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
Mono
Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB |
Gain Control Range |
Mono
Channels 50 dB, ±1 dB (-30 to +20 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB) |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/-1.5 dB |
S/N Ratio to Analog Outputs (+4 dBu) |
82
dB |
THD+N (1 kHz, -1 dBFS, A-wtd) |
<
0.01% |
Input Impedance (Balanced) |
10
kΩ |
Note: All Channel Inputs sum through Mic
preamp |
Main, Control Room, Monitor, and FX
Outputs |
|
Type (Main Outputs) |
XLR
Male, Impedance Balanced |
Type (Control Room, Monitor, FX Outputs) |
¼”
TRS Female, Balanced |
Rated Output Level (Main Outputs) |
+24
dBu, ±1.0 dB |
Rated Outputs Level (Control Room, Monitor, FX Outputs) |
+18
dBu |
Frequency Response |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) |
>
108 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
<
0.01% |
Output Impedance |
100
Ω |
Headphone Output |
|
Type |
¼”
TRS Female, Stereo, Unbalanced |
Maximum Output Level |
150
mW/channel @ 60 Ω |
Frequency Response |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) |
>
103 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
<
0.01% |
System Crosstalk |
|
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) |
-85
dBu |
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz,
unwtd) |
-80
dBu |
Signal Level LED |
|
Signal |
-30
dBFS (pre-EQ) |
Clip |
-3.0
dB before clip (pre- or post-EQ) |
Channel EQ |
|
Low Cut |
100
Hz, -18 dB/Octave |
High Shelving |
±15
dB @ 12 kHz |
Mid Peaking (Mono Channels) |
±15
dB @ 140 Hz to 3.5 kHz (variable) |
Mid Peaking (Stereo Channels) |
±15
dB @ 2.5 kHz |
Mid-Band Q |
Boost:
0.55, Cut: 2.5 |
Low Shelving |
±15
dB @ 80 Hz |
Audio Interface |
|
Host Interface |
USB
2.0 |
ADC Dynamic Range (Component) |
114
dB |
ADC Dynamic Range (Measured: A-wtd, 48 kHz) |
105
dB |
DAC Dynamic Range (Component) |
114
dB |
DAC Dynamic Range (Measured: A-wtd, 48 kHz) |
105
dB |
Signal-to-Noise (a-weighted) |
-96
dB |
Bit Depth |
24
bits |
Internally Supported Sample Rates |
44.1,
48, 88.2, 96 kHz |
Jitter |
<
80 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation |
>
60 dB (1 ns in => 1 ps out) |
SD™ Recorder |
|
Supported Media Format |
FAT16
formatted SD™ card, FAT32 formatted SDHC™ card |
Media Storage Capacity |
SD
card: 2 GB; SDHC card: 32 GB |
Recording File Format |
Stereo
WAV |
Playback File Formats |
Stereo
WAV, MP3 |
Sampling Rate (WAV) |
44.1
kHz |
Bit Depth |
Recording:
24 bits, Playback: 16- or 24-bit |
Power / Environmental |
|
Connector |
IEC |
Input Voltage Range |
90
to 240 VAC |
Recommended Ambient Operating Temperature |
0˚
to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
Height |
3.5”
(89 mm) |
Width (Chassis only) |
18.9”
(480 mm) |
Depth |
15.6”
(397 mm) |
Weight |
14.1
lbs (6.4 kg) |
Product Name | SLMAR16C |
---|---|
Brand | PRESONUS |
Sale Price | Php 67,499.00 |
Mileage | Points :674.99 |
수량 | |
Product Code | P0000JKF |
Product Details | 16-channel Hybrid Performance and Recording Mixer |
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