PLEASE SELECT THE DESTINATION COUNTRY AND LANGUAGE :
Price | |
---|---|
Discounted Price | Php 47,499.00 |
Discounted Amount | Total Discounted Amount KRW (Mobile Purchase Discount KRW ) |
Reward Points |
Points :474.99(1.00%) KRW % KRW % KRW % KRW % KRW % KRW % KRW % KRW % KRW % |
Shipping Method | Selected by customer |
Shipping Cost | International Shipping Fee |
Description |
Shipping | |
---|---|
Quantity |
Product Info | Product | Remove |
---|---|---|
Total(Qty) 0 |
Built by musicians, for musicians.
StudioLive® AR8 USB 8-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth®. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.
All of the connections and controls you need.
StudioLive AR8 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the two mono channels and two stereo channels includes level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get a monitor mix output with a dedicate bus for feeding a stage wedge, headphone amp, or in-ear system. Since the StudioLive AR8 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.
The StudioLive AR8 USB provides a complete solution for
mixing and recording, including a flexible array of inputs and outputs. In
addition to an XLR mic input with Class A preamp, each of the two mono channels
gives you a line input, low-cut filter, mute, pan, and solo with prefader
listen. The stereo channels (Channels 3 through 6) provide the same core features
but with left and right line inputs and a mic input only on the odd-numbered
channel.
As a result, you can plug in mics, keyboards, and much more
with the same types of controls found in larger mixing consoles. Phantom power
can be enabled globally for use with condenser microphones; simply switch it
off if you want to use dynamic mics. All channels feature three-band,
semi-parametric EQ, giving you enough tone-shaping precision to make each
instrument sound its best in the mix.
This is just part of the StudioLive AR’s assortment of
connections; as you’ll discover in a moment, this mixer can accept signals from
virtually any audio source!
It’s inputs; it’s
playback; it’s the Super Channel!
Our unique Super Channel (stereo Channel 7/8) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!
Record in the studio
or at the gig—with or without a computer.
Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR8 USB mixer to your computer via USB 2.0, and you have an 8x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!
Integrated software
makes recording a snap.
PreSonus StudioLive AR mixers are tightly integrated with
state-of-the-art recording software to help you achieve your creative vision.
Record with PreSonus’ Capture™ live-recording software, then edit in our
award-winning Studio One® Artist DAW (recording and production software); both
are included free.
Features
Channels and Buses
1 stereo effects return with:
Inputs and Outputs
Stereo Super Channel with:
Stereo RCA inputs
1/8-inch stereo input
Switchable SD™/USB stereo playback
Bluetooth 4.1 input
L/R XLR main outputs
1 Balanced TRS monitor output
1 Balanced TRS effects output
L/R Control Room outputs with level control
Headphone output with level control
Signal Processing
Highpass filter on every channel
3-band semi-parametric EQ (Channels 1-6)
Stereo effects processor with 16 presets
Recording Options
8x4 24-bit/96 kHz, USB 2.0 audio recording interface
Record every channel plus the main mix
2x2 SD recorder
Record main mix
Supports SD™ and SDHD™ formats up to 32 GB
Integrated Software
Capture™ recording software
Studio One ® 3 Artist recording and production software
(DAW)
Power
Internal power supply
Standard IEC power connector
Physical
Sturdy metal construction
Rackmount kit optional
Typical Home Studio Setup Diagram
Specifications
Microphone Preamp |
|
Type |
XLR
Female, Class A |
Maximum Input level (unity gain) |
Mono
Channels: +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB |
Gain Control Range |
Mono
Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5
to +45 dB |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/- 1.5 dB |
S/N Ratio to Outputs (+4 dBu) |
89
dB |
THD+N (min. gain, A-wtd) |
<
0.01% |
Input Impedance |
1
kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) |
Mono
Channels: < 128 dBu, Stereo Channels: <120 dBu |
Common Mode Rejection Ratio (1 kHz, +55 dB gain) |
65
dB |
Phantom Power |
+48V,
±3V, Global |
Note: All Channel Inputs sum through Mic
preamp |
Instrument Inputs |
|
Type |
¼”
TS Female, Unbalanced, Hi-Z |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
+12
dBu ±1.0 dB |
Gain Control Range |
50
dB, ±1 dB (Unity to +50 dB) |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (min. gain, A-wtd) |
>
105 dB |
Dynamic Range (mid. Gain, unwtd) |
>
108 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) |
<
0.01% |
THD+N (1 kHz, -1 dBFS, unwtd) |
<
0.01% |
Input Impedance |
>
1 MΩ |
Note: All Channel Inputs sum through Mic
preamp |
Line Inputs |
|
Type |
¼”
TRS Female, Balanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
Mono
Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB |
Gain Control Range |
Mono
Channels 50 dB, ±1 dB (-30 to +20 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB) |
Frequency Response to Analog Outputs |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) |
20
Hz to 20 kHz, +0.5/-1.5 dB |
S/N Ratio to Analog Outputs (+4 dBu) |
82
dB |
THD+N (1 kHz, -1 dBFS, A-wtd) |
<
0.01% |
Input Impedance (Balanced) |
10
kΩ |
Note: All Channel Inputs sum through Mic
preamp |
Main, Control Room, Monitor, and FX
Outputs |
|
Type (Main Outputs) |
XLR
Male, Impedance Balanced |
Type (Control Room, Monitor, FX Outputs) |
¼”
TRS Female, Balanced |
Rated Output Level (Main Outputs) |
+24
dBu, ±1.0 dB |
Rated Outputs Level (Control Room, Monitor, FX Outputs) |
+18
dBu |
Frequency Response |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) |
>
108 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
<
0.01% |
Output Impedance |
100
Ω |
Headphone Output |
|
Type |
¼”
TRS Female, Stereo, Unbalanced |
Maximum Output Level |
150
mW/channel @ 60 Ω |
Frequency Response |
20
Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) |
>
103 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) |
<
0.01% |
System Crosstalk |
|
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) |
-85
dBu |
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz,
unwtd) |
-80
dBu |
Signal Level LED |
|
Signal |
-30
dBFS (pre-EQ) |
Clip |
-3.0
dB before clip (pre- or post-EQ) |
Channel EQ |
|
Low Cut |
100
Hz, -18 dB/Octave |
High Shelving |
±15
dB @ 12 kHz |
Mid Peaking |
±15
dB @ 2.5 kHz |
Mid-Band Q |
Boost:
0.55, Cut: 2.5 |
Low Shelving |
±15
dB @ 80 Hz |
Audio Interface |
|
Host Interface |
USB
2.0 |
ADC Dynamic Range (Component) |
114
dB |
ADC Dynamic Range (Measured: A-wtd, 48 kHz) |
105
dB |
DAC Dynamic Range (Component) |
114
dB |
DAC Dynamic Range (Measured: A-wtd, 48 kHz) |
105
dB |
Signal-to-Noise (a-weighted) |
-96
dB |
Bit Depth |
24
bits |
Internally Supported Sample Rates |
44.1,
48, 88.2, 96 kHz |
Jitter |
<
80 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation |
>
60 dB (1 ns in => 1 ps out) |
SD™ Recorder |
|
Supported Media Format |
FAT16
formatted SD™ card, FAT32 formatted SDHC™ card |
Media Storage Capacity |
SD
card: 2 GB; SDHC card: 32 GB |
Recording File Format |
Stereo
WAV |
Playback File Formats |
Stereo
WAV, MP3 |
Sampling Rate (WAV) |
44.1
kHz |
Bit Depth |
Recording:
24-bit, Playback: 16- or 24-bit |
Power/Environmental |
|
Connector |
IEC |
Input Voltage Range |
90
to 240 VAC |
Recommended Ambient Operating Temperature |
0˚
to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
Height |
3.5”
(89 mm) |
Width (Chassis only) |
11”
(284 mm) |
Depth |
12.3”
(313 mm) |
Product Name | SLMAR8C |
---|---|
Brand | PRESONUS |
Sale Price | Php 47,499.00 |
Mileage | Points :474.99 |
수량 | |
Product Code | P0000JDR |
Product Details | 8-channel Hybrid Performance and Recording Mixer |
QR Code |
The Eight Basic Consumer Rights : http://www.dti.gov.ph/dti/index.php?p=720