Overview:
Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the BEHRINGER VIRTUALIZER 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 employs BEHRINGER RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive VIRTUAL ROOM reverb algorithms.
Reverbs & Delays
- Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.
Reverbs include:
- CATHEDRAL
- GOLD PLATE
- SMALL HALL
- ROOM
- CONCERT
- STAGE
- SPRING REVERB
- AMBIENCE
- EARLY REFLECTIONS
Specialty reverbs include:
- GATED REVERB – reverb is synthetically turned off after a predetermined amount of time
- REVERSE REVERB – reverb envelope is reversed—it slowly gets louder
Delays include:
- STEREO DELAY – delay is processed across the entire stereo image
- TAPE ECHO – simulates classic tape echo devices, predating the advent of digital delays
- PING PONG – delay signal is “bounced” from left to right at an adjustable tempo
Much More than Just Reverb and Delay
- The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.
Modulation and Pitch Shifter FX:
- STEREO FLANGER — originally generated by playing back two synchronized “reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels
- VINTAGE FLANGER — simulates a guitar flanger stomp box
- JET STREAM FLANGER — sounds like a classic analog flanger
- STEREO CHORUS — combines a slightly detuned signal with the original
- ANALOG CHORUS — simulates a guitar chorus stomp box
- VINTAGE CHORUS — imitates a classic analog studio chorus
- ULTRA CHORUS — creates the sound of an eight person chorus
- STEREO PHASER — combines a second, phase-shifted signal to the original
- VINTAGE PHASER — represents a guitar phaser stomp box
- DUAL PHASER — processes the left and right channels separately
- LESLIE — simulation of the rotating speakers typically used on an organ – Slow or Fast
- PITCH SHIFTER (changes the pitch of the original signal) — can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
- VIBRATO — the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
- TREMOLO (common vintage guitar amplifier effect) — a fast or slow periodic variation in volume
- AUTO PANNING — signal is automatically sent from one side of the stereo image to the other, either once or multiple times
Dynamic FX:
- COMPRESSOR — reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
- EXPANDER — effectively broadens the dynamic range of source signals while reducing background noise
- GATE — this noise gate algorithm helps to reduce background clutter by setting a specific threshold level which mutes all surrounding noise below this threshold. Particularly effective on drum mics and vocals
- ANALOG COMPRESSOR/LIMITER — similar to COMPRESSOR but with Limiting functionality
- ULTRAMIZER — analyzes incoming signal and automatically applies compression across two independent frequency bands
- DENOISER — eliminates or reduces noise and other interference
- DE-ESSER — reduces or removes sibilance (Ssss sound) from signal
- WAVE DESIGNER — allows you to influence the envelope by adjusting Attack and Release of the signal
Psychoacoustic FX:
- EXCITER — adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
- ENHANCER — a dynamic equalizer which brings more clarity and a better stereo locating to your sound, similar to the effect of an exciter
- ULTRA BASS — sub-harmonic processor combined with bass exciter and limiter
- STEREO IMAGER — divides the signal into middle and side signals, allowing individual signals to be amplified when desired and placed on the stereo image
- ULTRA WIDE — creates a broader stereo image
- BINAURALIZER — also creates a broader stereo image and compensates for crosstalk between both speakers
Filter/EQ FX:
- AUTO FILTER — influences the frequency response of a signal. Three filter types in different variations are included: low pass, band pass and high pass
- LFO FILTER — similar to the auto filter algorithm, but modulated by an oscillator with different wave types and speed adjustments
- PARAMETRIC EQ — allows you to control the bandwidth, frequency and amplitude of a signal
- GRAPHIC EQ — the sound spectrum is divided into six (6) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined
Distortion FX and Amp Simulations
- The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.
Special FX:
- VINYLIZER — adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
- SAMPLER — allows you to record and playback up to five (5) seconds of program material
- VOCODER — allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar “talking synthesizer” effect
- VOICE CANCELER — removes mono vocal parts from stereo recordings for “instant Karaoke”
- RESONATOR — simulates an oscillating system that amplifies a specific frequency
Our FX Combinations Go to 11
- Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.
FX Combinations include:
- Chorus & Reverb
- Flanger & Reverb
- Leslie & Reverb
- Pitch & Reverb
- Delay & Reverb
- Tremolo & Reverb
- Phaser & Reverb
- Chorus & Delay
- Flanger & Delay
- Pitch & Delay
- Tremolo & Delay
Enhanced User Editability
- Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
Value
- With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.
Features:
- 71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
- Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
- Awesome modulation, dynamic, psychoacoustic and EQ algorithms
- Authentic amp simulation, distortion and special effects
- 11 effect combinations with selectable serial / parallel configuration
- Up to 7 adjustable parameters plus 2-band EQ per effect
- 24-bit A/D and D/A converters with 64/128-times oversampling
- True stereo processing for realistic channel separation in stereo image
- 100 factory presets plus 100 user memory locations
- Extensive MIDI implementation
- Accurate LED level meters for perfect level setting and optimum performance
- Servo-balanced XLR and ¼'' TRS inputs and outputs
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
1.) Both the LED chains display the intensity of the input signal in dB in relation to the nominal level, which is selected on the rear panel with the OPERATING LEVEL switch.
2.) After you switch on the VIRTUALIZER 3D, you can read the name of the last used effect on the LED display. When editing, the LED display shows the parameter’s name along with a 4-digit alpha-numeric display that shows the absolute parameter’s value
3.) To the right of the LED display are four STATUS LEDs which indicate the type of value you are working with.
4.) The ALGORITHM GROUPS LED CHAIN indicates which category the selected effect belongs to. Altogether the FX2000 offers eight different algorithm groups
5.) Every preset in the FX2000 allows you to edit at least four effect parameters.
6.) With the 1st EDIT CONTROL (non-intermittent rotary control) you change the values of the first (EDIT A) and fifth (EDIT E) effect parameters. You can also select MIDI functions (MIDI) with the 1st EDIT CONTROL. Press the EDIT key to switch from EDIT A to EDIT E and vice versa. You reach the MIDI function by pressing the SETUP key
7.) The 2nd EDIT CONTROL allows you to modify the values of effect parameters EDIT B and EDIT F. When you select the INPUT parameter with the help of the SETUP key, you can specify whether the FX2000 functions mono or stereo mode
8.) The 3rd EDIT CONTROL modifies the values of effect parameters EDIT C, EQ LO, and the global OUTPUT parameter. Here, as well, you select among them using the EDIT and SETUP keys
9.) With the 4th EDIT CONTROL, you modify the values of effect parameters EDIT D, EQ HI, and the global parameter CONFIG . Use the EDIT and SETUP keys to choose between the parameters
10.) By turning the MIX/BYPASS CONTROL the effect levels of most effect algorithms are set in the range from 0 to 100%
11.) To select one of the 200 presets, press the PRESET key once, then rotate the JOG WHEEL
12.) To select one of the 71 basic effect algorithms, press the EFFECT key once, then rotate the JOG WHEEL
13.) To select the EDIT CONTROL function , press the EDIT key
14.) When you make changes to a user preset, the STORE key’s LED begins to blink
15.) If you have made changes to a preset and the LED of the STORE key is blinking, you can press the COMPARE key to temporarily restore the preset’s original settings
16.) To enter SETUP mode, press the SETUP key. In setup mode, you can access the parameters shown below the four EDIT CONTROLs
17.) To change a parameter’s value, rotate the JOG WHEEL. To increase the value, turn the wheel clockwise.
18.) Use the POWER switch to power up your FX2000. The POWER switch should always be in the “Off” position when you are about to connect your unit to the mains
19.) FUSE HOLDER / VOLTAGE SELECTION. Before connecting the FX2000, confirm that the voltage display matches your local mains voltage
20.) The FX2000 has wide-ranging MIDI implementation. MIDI IN, MIDI OUT, and MIDI THRU connectors are available for transmitting MIDI commands.
21.) SERIAL NUMBER. Please complete and return the warranty card within 14 days of the date of purchase
22.) The FX2000’s balanced OUTPUTs are designed as 1/4" TRS and XLR sockets.
23.) To switch between -10 dBV (home recording level) and +4 dBu (professional studio level), use the OPERATING LEVEL SWITCH.
24.) Both of the VIRTUALIZER 3D’s INPUTs are also available as balanced 1/4" TRS and XLR sockets
Using the VIRTUALIZER 3D in the aux bus
- Using the FX2000 in the aux bus lets you feed signals from one, several or all channels of your console into the VIRTUALIZER 3D. When miking a drum kit, for example, you can use the aux controls to adjust the reverberation independently for each channel. Thus, you are able to assign a strong reverb to the snare rather than the toms. Cabling the VIRTUALIZER 3D in the aux bus should be carried out as follows:
Using the VIRTUALIZER 3D in the insert path
- Generally, you can use the FX2000 on channel or subgroup inserts, using a standard insert cable. Connection to a channel insert makes sense when you want to process very specific signals (e.g. vocals) with the VIRTUALIZER 3D, or when all other options for connecting the FX2000 are already used by other units. For compressors, expanders and gates, the channel insert is the best choice.
Using the VIRTUALIZER 3D as an effects device for instruments
- Due to its MIDI implementation, the VIRTUALIZER 3D can also be used as multi-effects unit in a guitar rack. Naturally, the VIRTUALIZER 3D can be cabled both as mono and as stereo unit. The following examples show how to use the FX2000 with a guitar setup
Using the VIRTUALIZER 3D in a MIDI setup
- Thanks to the integrated MIDI interface, you can incorporate the FX2000 in a MIDI setup. The VIRTUALIZER 3D can receive and send both program changes and controller changes. Thus, you can use program changes using MIDI with a sequencer or with any other MIDI device. Connect the FX2000 e.g. as follows:
Specifications: