Overview:
Avid Pro Tools|HD Native takes full advantage of today's high-power computers by offering you all of the top features of Pro Tools HD (minus the DSP acceleration) at an incredible low price. Pro Tools|HD Native gives you blazing fast I/O, near-zero latency, automatic delay compensation, and full integration with Avid's HD line of interfaces, leaving your CPU to handle plug-ins and mixing. If you're budget minded but still demand results from your DAW, have one of these high-power computers, and prefer to track with outboard signal processors (rather than plug-ins), then Pro Tools|HD Native is perfect for you.
- Other than DSP-powered plug-in support, Pro Tools HD software runs the same with a Pro Tools|HD Native Core system as it does with a Pro Tools|HDX or legacy HD Accel system. You get 192 channels of audio (64 at 192kHz), as well as 7.1 surround sound support, Copy to Send, complete multitrack Beat Detective, and automatic delay compensation, as well as other great functions previously unavailable for a native Pro Tools system. And if you're stepping up from a non-HD Pro Tools system, you'll get all of the plug-ins you already know and love, plus incredible sound quality you've never experienced before - all for an amazing low price!
The Pro Tools HD Native with HD OMNI Interface Bundle from Avid is a music and post-production core system that allows the professional to create complex, high-quality audio productions, using the full capabilities of Pro Tools HD software in a lower-cost native solution.
Pro Tools|HD Native Core PCIe Interface Card:
- Compatible with Avid Pro Tools HD DAW software
- Supports Core Audio and ASIO applications
- 2 x DigiLink Mini ports interface with Avid HD interfaces including HD I/O, HD Omni I/O, HD MADI I/O, 192 I/O, and 96 I/O
- Serial port interfaces with SYNC HD
- Provides 64 channels of I/O with under 1.7ms latency
- Includes Pro Tools|HD DAW and bundled plug-in software
- Supports full HD feature set including:
- Compatible with Mac OS X 10.6 and Windows 7 or later
- 192 audio tracks, 128 busses
- Auto delay compensation on hardware and software inserts
- VCA Mixing
- Solo Bus AFL/PFL
- Input Monitoring
- Destructive/TrackPunch
- Machine Control support (requires Machine Control option)
- ICON Support
- Advanced audio and video editing
The HD OMNI digital audio interface features two microphone preamps and can be used to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitoring their performance through a discrete mix. No need for multiple interfaces. Everything can be done within the single-space rack HD OMNI.
Avid HD OMNI Audio Interface:
- 8-in/8-out project audio interface
- 2 x digitally controlled Mic/Line/DI preamps
- 2 x additional line inputs
- Flexible analog and digital I/O
- Same flagship converters as HD I/O
- Persistent surround monitoring
- Fold-down to any monitor format
- 14x26 channel mixer
- New Curv analog soft knee limiter
- Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
- High-quality, low-noise analog I/O: 2 premium, digitally-controlled mic/DI preamps, 4 line inputs, 8 line outputs, with true analog gain
- Versatile digital I/O, with sample rate conversion on all inputs: 8 channels of ADAT I/O (supports S/MUX II and IV), 2x8 channels of AES/EBU I/O, 2 channels of S/PDIF I/O
- Route audio independently from Pro Tools with the persistent 14 x 26 pass-through mixer
- Completely integrates with Pro Tools|HD Native for full routing, mixing, and monitoring control
- Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
- Hear your mixes in however many channels you need, from stereo to 7.1 surround
- Improve communication while tracking with dedicated cue path
- Keep things in sync with dedicated Word Clock and Loop Sync I/O
- Compact 1U rack-mountable chassis