The RF-100 Reflection Filter by MXL provides portable sound
isolation and is designed to reduce unwanted reflections and ambient room noise
when recording in untreated performance spaces - a major problem in most home
and project studios
The desired result of course is obtaining the driest vocal
and instrument recordings possible
Recordings free from bad reflections and
excessive room ambience are easier to work with and always sit better in the
mix helping to achieve that professional radio-ready sound.
The RF-100 features two unique side panels allowing it to
adapt to any recording environment or be adjusted to obtain the sound you're
looking for.
Also, its lightweight design and included mounting hardware make
it compatible with most mic stands eliminating the need to purchase a
heavy-duty and often pricey stand to accommodate the filter.
Features:
Provides portable sound isolation and reduces unwanted
reflections and ambient room noise
Features adjustable side panels allowing it to adapt to any
recording environment
Its lightweight design and included mounting hardware make
it compatible with most mic stands
Suitable for both floor and boom microphone stands
What's in the Box?
MXL RF-100 filter
Adjustable support bar with microphone attachment
Wrench
User manual
Using your RF-100 Reflection Filter:
The RF-100 can be attached directly to a floor microphone
stand via the mounting hole on thebottom of the unit. If required, the supplied adjustable
support bar can be installed at this stage.
Simply slide the support bar over the threaded portion of
the mic stand using the single holeon the bar before affixing the RF-100 reflection filter. The
microphone support post attaches to the elongated slot in the support bar with the supplied
knurled nut and washers.
The slotted configuration affords a degree of fore/aft adjustment to
assist with optimally positioning your microphone.
Alternatively, the RF-100 can be attached to a boom-type
microphone stand using the two attached “u-clamp” fittings on the rear of the unit
By
using this method, the boom portion can be used to afford a greater degree of adjustment in microphone
position.
The RF-100 provides the least ‘colored’ results when the
microphone is centrally positioned within the body of the filter. Alternative positions however can
prove very useful for obtaining specific treatments.
For example, setting up the reflection filter
with the microphone closer to the filter wall in front of a guitar cabinet or closer to the open front in
a live sounding room lets more of the room sound into the microphone.
As with any other piece of
recording equipment, experimentation is key