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MACKIE PROFX30V2

30-Channel Analog Mixer

with Built-In FX

Overview

THE LIFE OF YOUR LIVE MIX

Mackie ProFXv2 mixers provide a comprehensive live sound solution with a wide range of models,each delivering unmatched performance.With the all-new preamps and effects engine plus tools like GEQ and USB recording/playback, ProFXv2 mixer performance will truly elevate your live sound game.

The ProFX30v2 30-channel mixing console from Mackie features a built-in effects engine, and is ideal for a plethora of live

sound reinforcement applications ranging from live bands and DJs to lecturers and presenters.
With 24 XLR mic inputs with low-noise Vita microphone preamps, per channel 3-band EQ, 3 aux sends,
and an FX out for feeding external processors, the ProFX30v2 offers professional features to suit a wide variety of configurations.

In addition to the mic inputs, the ProFX30v2 includes 30 line inputs for connecting keyboards, samplers, and other gear.

There is also an RCA tape input and output for connecting portable music players similar devices. In addition,
the mixer has rugged 60mm faders for all input channels, return and main/monitor masters.

The ProFX30v2's effects engine offers 16 different effects, including reverbs, delays, and choruses.

It also features a 7-band graphic EQ that can be used for tuning mains or monitors, and a built-in USB interface
that can be used to record the show or provide music playback via Mac or Windows computer.

Features

UNMATCHED SOUND QUALITY

24 extremely low-noise Mackie Vita™ mic preamps designed to add life to any input
All-new ReadyFX™ effects engine with 16 great-sounding effects like reverbs, delays and choruses
Single-knob channel compression for smooth, even dynamic control (ch. 19-22).

NO-COMPROMISE LIVE MIXING

7-band graphic EQ for tuning mains or monitors
Built-in USB interface to record the show or provide music playback
4 flexible subgroups for professional mix management
3 aux outputs for monitor mixes, fill speakers and more
3-band EQ with sweepable mids on mono channels
30 high-headroom line level inputs
Individual channel mutes and overload indication
100Hz low-cut filters per channel (18dB/octave)
Channel inserts for connecting outboard processing (ch. 1-18)
60mm faders for input channels, subgroups and main masters
48V phantom power for connecting condenser mics
Break switch mutes all channels for music playback between sets
Control room / headphone outs with level control
Balanced XLR and balanced/unbalance ¼-inch main outputs

NO-HASSLE USB RECORDING/PLAYBACK

Built in USB recording interface with simple setup via Mac or PC
Choose to record subgroups 1/2 or main L/R mix
Separate USB input level control to mains
USB routable to full-featured channel strip
Great for live recording and perfect for home studios
Stream playback music for live or studio applications
Includes user-friendly Tracktion® recording software

RUGGED ROADWORTHY DESIGN

Legendary Mackie “Built-Like-A-Tank” design
Solid steel chassis protects your investment
Tough ABS side protection
Robust internal multi-voltage power supply

Specifications

Equivalent Input Noise

150 ohm source impedance, 20 Hz to 20 kHz:
Mic in to insert send out, max gain -128 dBu

Residual Output Noise

All outputs, master levels off, all channel levels off: -95 dBu
All outputs, master levels unity, one channel level unity: -85 dBu

Frequency Response

Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz

THD+N

22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%

Attenuation and Crosstalk

Adjacent Inputs @ 1 kHz: -90 dB
Inputs to Outputs @ 1 kHz: -80 dB
Fader Off @ 1 kHz: -75 dB
Mute Switch / Break Switch Mute @ 1 kHz: -100 dB

Common Mode Rejection Ratio

Mic In to Main Out, max gain, 1 kHz: 70 dB

Maximum Level

All inputs: +22 dB
Main Out XLR: +28 dBu
All other outputs: +22 dBu

Impedance

Mic In 3.3 kOhms
Channel Insert Return 10 kOhms
All other inputs ≥ 20 kOhms
Tape output 1 kOhms
Phones output 25 ohms
All other outputs 120 ohms unbalanced, 240 ohms balanced

Equalization

Mono Channels:
Low ±15 dB @ 80 Hz
Mid ±15 dB @ 100 Hz - 8 kHz
High ±15 dB @ 12 kHz
Low Cut Filter 18 dB/octave @ 100 Hz

Stereo Channels
Low ±15 dB @ 80 Hz
Mid ±15 dB @ 2.5 kHz
High ±15 dB @ 12 kHz

Maximum Voltage Gain

Mic Input Channel to:
Insert Output: 50 dB
Tape Output: 60 dB
USB Output: 60 dB
1/4" Main Output: 70 dB
XLR Main Output: 76 dB
Monitor Send: 81 dB
FX Send: 90 dB

Mono Line Input Channel to:
Insert Output: 30 dB
Tape Output: 40 dB
USB Output: 40 dB
XLR Main Output: 56 dB
Monitor Send: 61 dB
FX Send: 70 dB

Stereo Line Input Channel to:
Tape Output: 30 dB
USB Output: 30 dB

XLR Main Output: 46 dB
Monitor Send: 51 dB
FX Send: 55 dB

Tape Input to:
XLR Main Output: 36 dB

USB Input to:
XLR Main Output: 36 dB

Stereo Return to:
Mon Output: 30 dB
XLR Main Output: 26 dB

Digital Effects

I/O: mono input / stereo output
Number of Presets: 16

Meters

Main L/R Mix:
Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30

Channel OL LED:
Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBu

Graphic EQ

Frequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8k
Gain: ±15 dB
Assignable to Main or Monitor, bypassable

USB

USB Recording to Computer (Mac & PC)

Phantom Power

48 VDC to all mic channels simultaneously

AC Power Requirements

Power Consumption: 50 watts
Universal AC Power Supply: 100 - 240 VAC, 50 - 60 Hz
Class II Detachable Line Cord: Yes

Operating Temperature

32 - 104˚F (0 - 40˚C)

Dimensions

3.8 x 33.6 x 16.6" (97 x 853 x 422 mm)

Weight

25 lb (11.4 kg)