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MACKIE PROFX16 V2



16-CHANNEL ANALOG MIXER

WITH USB INTERFACE

Overview

Mackie ProFXv2 mixers provide a comprehensive live sound solution with a wide range of models, each delivering unmatched performance.With the all-new preamps and effects engine plus tools like GEQ and USB recording/playback, ProFXv2 mixer performance will truly elevate your live sound game.

• The ProFX16v2 16-channel mixing console from Mackie features a built-in effects engine, and is ideal for a plethora of live sound reinforcement applications ranging from live bands and DJs to lecturers and presenters. With 10 XLR mic inputs with low-noise Vita microphone preamps, per channel 3-band EQ, 2 aux sends, and an FX out for feeding external processors, the ProFX16v2 offers professional features to suit a wide variety of configurations.
• In addition to the mic inputs, the ProFX16v2 includes 16 line inputs for connecting keyboards, samplers, and other gear. There is also an RCA tape input and output for connecting portable music players similar devices. In addition, the mixer has rugged 60mm faders for all input channels, return and main/monitor masters.
• The ProFX16v2's effects engine offers 16 different effects, including reverbs, delays, and choruses. It also features a 7-band graphic EQ that can be used for tuning mains or monitors, and a built-in USB interface that can be used to record the show or provide music playback via Mac or Windows computer.

UNMATCHED SOUND QUALITY

• 10 extremely low-noise Mackie Vita™ mic preamps designed to add life to any input
• All-new ReadyFX™ effects engine with 16 great-sounding effects like reverbs, delays and choruses
• Single-knob channel compression for smooth, even dynamic control (ch. 5-8)

NO-COMPROMISE LIVE MIXING

• 7-band graphic EQ for tuning mains or monitors
• Built-in USB interface to record the show or provide music playback
• 4 flexible subgroups for professional mix management
• 2 aux outputs for monitor mixes, fill speakers and more
• 3-band EQ with sweepable mids on mono channels
• 16 high-headroom line level inputs
• Individual channel mutes and overload indication
• 100Hz low-cut filters per channel (18dB/octave)
• Channel inserts for connecting outboard processing (ch. 1-4)
• 60mm faders for input channels, subgroups and main masters
• 48V phantom power for connecting condenser mics
• FX mute with remote control via footswitch
• Break switch mutes all channels for music playback between sets
• Control room / headphone outs with level control
• Balanced XLR and balanced/unbalance ¼-inch main outputs

NO-HASSLE USB RECORDING/PLAYBACK

• Built in USB recording interface with simple setup via Mac or PC
• Choose to record subgroups 1/2 or main L/R mix
• Separate USB input level control to mains
• USB routable to full-featured channel strip
• Great for live recording and perfect for home studios
• Stream playback music for live or studio applications
• Includes user-friendly Tracktion® recording software

RUGGED ROADWORTHY DESIGN

• Legendary Mackie “Built-Like-A-Tank” design
• Solid steel chassis protects your investment
• Tough ABS side protection
• Robust internal multi-voltage power supply

Equivalent Input Noise	150 ohm source impedance, 20 Hz to 20 kHz: Mic in to insert send out, max gain -128 dBu
Residual Output Noise	All outputs, master levels off, all channel levels off: -95 dBu All outputs, master levels unity, one channel level unity: -85 dBu
Frequency Response	Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz
THD+N	22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%
Attenuation and Crosstalk	Adjacent Inputs @ 1 kHz: -90 dB Inputs to Outputs @ 1 kHz: -80 dB Fader Off @ 1 kHz: -75 dB Mute Switch / Break Switch Mute @ 1 kHz: -100 dB
Common Mode Rejection Ratio	Mic In to Main Out, max gain, 1 kHz: 70 dB
Maximum Level	All inputs: +22 dB Main Out XLR: +28 dBu All other outputs: +22 dBu
Impedance	Mic In 3.3 kOhms Channel Insert Return 10 kOhms All other inputs ≥ 20 kOhms Tape output 1 kOhms Phones output 25 ohms All other outputs 120 ohms unbalanced, 240 ohms balanced
Equalization	Mono Channels: Low ±15 dB @ 80 Hz Mid ±15 dB @ 100 Hz - 8 kHz High ±15 dB @ 12 kHz Low Cut Filter 18 dB/octave @ 100 Hz Stereo Channels Low ±15 dB @ 80 Hz Mid ±15 dB @ 2.5 kHz High ±15 dB @ 12 kHz
Maximum Voltage Gain	Mic Input Channel to: Insert Output: 50 dB Tape Output: 60 dB USB Output: 60 dB 1/4" Main Output: 70 dB XLR Main Output: 76 dB Monitor Send: 81 dB FX Send: 90 dB Mono Line Input Channel to: Insert Output: 30 dB Tape Output: 40 dB USB Output: 40 dB XLR Main Output: 56 dB Monitor Send: 61 dB FX Send: 70 dB Stereo Line Input Channel to: Tape Output: 30 dB USB Output: 30 dB XLR Main Output: 46 dB Monitor Send: 51 dB FX Send: 55 dB Tape Input to: XLR Main Output: 36 dB USB Input to: XLR Main Output: 36 dB Stereo Return to: Mon Output: 30 dB XLR Main Output: 26 dB
Digital Effects	I/O: mono input / stereo output Number of Presets: 16
Meters	Main L/R Mix: Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30 Channel OL LED: Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBu
Graphic EQ	Frequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8k Gain: ±15 dB Assignable to Main or Monitor, bypassable
USB	USB Recording to Computer (Mac & PC)
Phantom Power	48 VDC to all mic channels simultaneously
AC Power Requirements	Power Consumption: 40 watts Universal AC Power Supply: 100 - 240 VAC, 50 - 60 Hz Class II Detachable Line Cord: Yes
Operating Temperature	32 - 104˚F (0 - 40˚C)
Dimensions	3.8 x 18.7 x 16.0" (97 x 475 x 407 mm)
Weight	13.0 lb (5.9 kg)