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 MACKIE PROFX4 V2

4-CHANNEL ANALOG MIXER With EFX

Overview

THE LIFE OF YOUR LIVE MIX

Mackie ProFXv2 mixers provide a comprehensive live sound solution with a wide range of models, each delivering unmatched performance.

With the all-new preamps and effects engine plus tools like GEQ and USB recording/playback, ProFXv2 mixer performance will truly elevate your live sound game.

• The ProFX4v2 4-channel mixing console from Mackiefeatures a built-in effects engine, and is ideal for a plethora of live soundreinforcement applications ranging from live bands and DJs to lecturers andpresenters. With 2 XLR mic inputs with low-noise Vita microphone preamps, perchannel 2-band EQ, 1 aux send, and an FX out for feeding external processors,the ProFX4v2 offers professional features to suit a wide variety ofconfigurations.
• In addition to the mic inputs, the ProFX4v2 includes 4line inputs for connecting keyboards, samplers, and other gear. There is alsoan RCA tape input and output for connecting portable music players similardevices. In addition, the mixer has rugged 60mm faders for all input channels,return and main/monitor masters.
• The ProFX4v2's effects engine offers 16 differenteffects, including reverbs, delays, and choruses. It also features a 5-bandgraphic EQ that can be used for tuning mains or monitors.

NO-COMPROMISE LIVE MIXING

• 2 low-noise Vita mic preamps
• ReadyFX effects engine with 16 effects like reverbs,delays, and choruses
• 5-band graphic EQ for tuning mains or monitors
• Aux output ideal for driving a monitor mix
• 2-band EQ (80 Hz and 12 kHz) on all channels
• Directly connect guitar, bass, and other instruments viaHi-Z input
• 100 Hz low-cut filter and 48V phantom power on all micchannels
• Stereo RCA tape I/O with input level control
• Headphone output with separate level control
• Solid steel chassis protects your investment
• Tough ABS side protection

Specifications

Equivalent Input Noise	150 ohm source impedance, 20 Hz to 20 kHz: Mic in to FX send, max gain -128 dBu
Residual Output Noise	All outputs, master levels off, all channel levels off: -95 dBu All outputs, master levels unity, one channel level unity: -85 dBu
Frequency Response	Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz
THD+N	22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%
Attenuation and Crosstalk	Adjacent Inputs @ 1 kHz: -80 dB Inputs to Outputs @ 1 kHz: -80 dB Fader Off @ 1 kHz: -80 dB
Common Mode Rejection Ratio	Mic In to Main Out, max gain, 1 kHz: 70 dB
Maximum Level	All inputs: +22 dB Main Out: +22 dBu All other outputs: +22 dBu
Impedance	Mic In 3.8 kOhms All other inputs ≥ 20 kOhms Tape output 1 kOhms Phones output 25 ohms All other outputs 120 ohms unbalanced, 240 ohms balanced
Equalization	Low ±15 dB @ 80 Hz High ±15 dB @ 12 kHz Low Cut Filter 18 dB/octave @ 100 Hz
Maximum Voltage Gain	Mic Input Channel to: Insert Output: 50 dB Tape Output: 60 dB 1/4" Main Output: 70 dB XLR Main Output: 76 dB Monitor Send: 76 dB FX Send: 75 dB Mono Line Input Channel to: Insert Output: 30 dB Tape Output: 40 dB XLR Main Output: 56 dB Monitor Send: 56 dB FX Send: 55 dB Stereo Line Input Channel to: Tape Output: 30 dB XLR Main Output: 46 dB Monitor Send: 46 dB FX Send: 45 dB Tape Input to: Main Output: 30 dB
Digital Effects	I/O: mono input / stereo output Number of Presets: 16
Meters	Main L/R Mix: Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30
Graphic EQ	Frequency Centers [5-Band]: 80, 250, 800, 2.5k, 8k Gain: ±15 dB Assignable to Main or Monitor, bypassable
Phantom Power	48 VDC to all mic channels simultaneously
AC Power Requirements	Universal AC Power Supply: 100 - 240 VAC, 50 - 60 Hz Class I Hard-Wired Wall Wart: [12 VDC @ 1.5 A]
Operating Temperature	32 - 104˚F (0 - 40˚C)
Dimensions	2.9 x 8.7 x 10.1" (73 x 220 x 256 mm)
Weight	3.2 lb (1.4 kg)