PHONIC AM 642D USB

MIC-6 / LINE 4-STEREO-2 GROUP MIXER
WITH GEQ, DFX the AND USB ​​INTERFACE


Overview
 In this digital age, the ability to record each and every thing you do is a valuable commodity. Whether it's a quick and dirty demo, a shiny new live recording or just some quick licks you've come up with on the fly, recording has never been as easy as it is with an AM USB mixer. The AM442D USB, AM642D USB and AM844D USB are new members of the AM family of mixing consoles, exhibiting the same awesome features and classic analog feel that these units display, but with a few fantastic additions. A stereo USB recording interface makes the unit perfect for recording live events, practice sessions, studio jams and so on, without the headache that comes with complex recording setups. In addition to this, a versatile compressor function has also been built right into mono channels for smoothing out vocals and drums. With just an AM USB mixer, a modern computer and a tiny bit of talent, you'll be making quality recordings in no time!


Features
 6 Mic / Line channels with inserts, phantom power and compressor

Stereo USB interface compatible with PC and Mac computers

4 stereo channels with 4-band EQ

3-band EQ with swept mid-range plus low cut on each mono channel

3 AUX sends, one with Pre / Post switch

32/40-bit digital stereo multi-effect processor with 16 + tap delay plus foot switch

Stereo 9-band graphic EQ, assignable to main mix or aux 1 send

2 true subgroups with main L and R routing switches

2 stereo aux returns with effect to monitor level control

Solo feature on each input and output

XLR connectors available on main L / R output

Built-in switching power supply with universal connector, 100-240VAC, 50 / 60Hz

Rack-mounting kit included

Specifications

Inputs

Total Channels

 

10

Balanced Mono Mic / Line Channel

 

6

Balanced Mic / Stereo Line channel

 

2

Balanced Stereo Line Channel

 

2

AUX Return

 

2 stereo

2T Input

 

Mini stereo and stereo RCA

Outputs

Main L/R Stereo

 

2 x 1/4” TRS, Bal. & 2 x XLR

Group

 

2

Rec Out

 

Mini stereo and stereo RCA

CTRL RM L/R

 

2 x 1/4” TS

Phones

 

1

Channel Strips

 

10

EFX Send

 

3

Pan/Balance Control

 

Yes

Volume Controls

 

60mm fader

Inserts

 

6

Master Section

Phones Level Control

 

Yes

Main L/R Level Control

 

60 mm fader

Level Meter

 

13-segment

Phantom Power Supply

 

+48V DC

Frequency Response (Mic input to any output)

20Hz ~ 60KHz

 

+0/-1 dB

20Hz ~ 100KHz

 

+0/-3 dB

Crosstalk (1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs)

Channel fader down, other channels at unity

 

<-90 dB

Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu)

Master @ unity, channel fader down

 

-86.5 dBu

Master @ unity, channel fader @ unity

 

-84 dBu

S/N ratio, ref to +4

 

>90 dB

Microphone Preamp E.I.N. (150 ohms terminated, max gain)

 

<-129.5 dBm

THD (Any output, 1KHz @ +14dBu, 20Hz to 20KHz, channel inputs)

 

<0.005%

CMRR (1 KHz @ -60dBu, Gain at maximum)

 

80dB

Maximum Level

 

Mic Preamp Input

 

+10dBu

 

All Other Input

 

+22dBu

 

Balanced Output

 

+28dBu

 

Impedance

 

Mic Preamp Input

 

2 K ohms

 

All Other Input (except insert)

 

10 K ohms

 

RCA 2T Output

 

1.1 K ohms

 

Equalization

 

3-band, +/-15dB

 

Low EQ

 

80Hz

 

Mid EQ

 

100-8k Hz, sweepable

 

L-Mid EQ

 

800 Hz

 

H-Mid EQ

 

3 kHz

 

Hi EQ

 

12 kHz

 

Low Cut Filter

 

75 Hz (-18 dB/oct)

 

USB Audio

 

Stereo In/Out

 

Connector Type

 

USB Type B

 

Bitrate

 

16-bit

 

Sampling Rate

 

48 kHz

 

Digital Effect Processor

 

100 effects with tap delay control and test tones

 

Footswitch

 

EFX on/off

 

Power Requirements

 

100-240 VAC, 50/60 Hz

 

Weight

 

4.8 kg (10.6 lbs)

 

Dimensions (WxHxD)

 

16” x 3.5” x 14” (407 x 89 x  357  mm)