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VIRTUALIZER 3D FX2000

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Overview:

Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the BEHRINGER VIRTUALIZER 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 employs BEHRINGER RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive VIRTUAL ROOM reverb algorithms.

Reverbs & Delays

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include:

CATHEDRAL
GOLD PLATE
SMALL HALL
ROOM
CONCERT
STAGE
SPRING REVERB
AMBIENCE
EARLY REFLECTIONS

Specialty reverbs include:

GATED REVERB – reverb is synthetically turned off after a predetermined amount of time
REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Delays include:

STEREO DELAY – delay is processed across the entire stereo image
TAPE ECHO – simulates classic tape echo devices, predating the advent of digital delays
PING PONG – delay signal is “bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay

The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.

Modulation and Pitch Shifter FX:

STEREO FLANGER — originally generated by playing back two synchronized “reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels
VINTAGE FLANGER — simulates a guitar flanger stomp box
JET STREAM FLANGER — sounds like a classic analog flanger
STEREO CHORUS — combines a slightly detuned signal with the original
ANALOG CHORUS — simulates a guitar chorus stomp box
VINTAGE CHORUS — imitates a classic analog studio chorus
ULTRA CHORUS — creates the sound of an eight person chorus
STEREO PHASER — combines a second, phase-shifted signal to the original
VINTAGE PHASER — represents a guitar phaser stomp box
DUAL PHASER — processes the left and right channels separately
LESLIE — simulation of the rotating speakers typically used on an organ – Slow or Fast
PITCH SHIFTER (changes the pitch of the original signal) — can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
VIBRATO — the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
TREMOLO (common vintage guitar amplifier effect) — a fast or slow periodic variation in volume
AUTO PANNING — signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX:

COMPRESSOR — reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
EXPANDER — effectively broadens the dynamic range of source signals while reducing background noise
GATE — this noise gate algorithm helps to reduce background clutter by setting a specific threshold level which mutes all surrounding noise below this threshold. Particularly effective on drum mics and vocals
ANALOG COMPRESSOR/LIMITER — similar to COMPRESSOR but with Limiting functionality
ULTRAMIZER — analyzes incoming signal and automatically applies compression across two independent frequency bands
DENOISER — eliminates or reduces noise and other interference
DE-ESSER — reduces or removes sibilance (Ssss sound) from signal
WAVE DESIGNER — allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX:

EXCITER — adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
ENHANCER — a dynamic equalizer which brings more clarity and a better stereo locating to your sound, similar to the effect of an exciter
ULTRA BASS — sub-harmonic processor combined with bass exciter and limiter
STEREO IMAGER — divides the signal into middle and side signals, allowing individual signals to be amplified when desired and placed on the stereo image
ULTRA WIDE — creates a broader stereo image
BINAURALIZER — also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX:

AUTO FILTER — influences the frequency response of a signal. Three filter types in different variations are included: low pass, band pass and high pass
LFO FILTER — similar to the auto filter algorithm, but modulated by an oscillator with different wave types and speed adjustments
PARAMETRIC EQ — allows you to control the bandwidth, frequency and amplitude of a signal
GRAPHIC EQ — the sound spectrum is divided into six (6) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations

The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX:

VINYLIZER — adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
SAMPLER — allows you to record and playback up to five (5) seconds of program material
VOCODER — allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar “talking synthesizer” effect
VOICE CANCELER — removes mono vocal parts from stereo recordings for “instant Karaoke”
RESONATOR — simulates an oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include:

Chorus & Reverb
Flanger & Reverb
Leslie & Reverb
Pitch & Reverb
Delay & Reverb
Tremolo & Reverb
Phaser & Reverb
Chorus & Delay
Flanger & Delay
Pitch & Delay
Tremolo & Delay

Enhanced User Editability

Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.

Value

With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor— both in the studio and on the road.

Features:

71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
Awesome modulation, dynamic, psychoacoustic and EQ algorithms
Authentic amp simulation, distortion and special effects
11 effect combinations with selectable serial / parallel configuration
Up to 7 adjustable parameters plus 2-band EQ per effect
24-bit A/D and D/A converters with 64/128-times oversampling
True stereo processing for realistic channel separation in stereo image
100 factory presets plus 100 user memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect level setting and optimum performance
Servo-balanced XLR and ¼'' TRS inputs and outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

Front Panel Features:

1.) Both the LED chains display the intensity of the input signal in dB in relation to the nominal level, which is selected on the rear panel with the OPERATING LEVEL switch.

2.) After you switch on the VIRTUALIZER 3D, you can read the name of the last used effect on the LED display. When editing, the LED display shows the parameter’s name along with a 4-digit alpha-numeric display that shows the absolute parameter’s value

3.) To the right of the LED display are four STATUS LEDs which indicate the type of value you are working with.

4.) The ALGORITHM GROUPS LED CHAIN indicates which category the selected effect belongs to. Altogether the FX2000 offers eight different algorithm groups

5.) Every preset in the FX2000 allows you to edit at least four effect parameters.

6.) With the 1st EDIT CONTROL (non-intermittent rotary control) you change the values of the first (EDIT A) and fifth (EDIT E) effect parameters. You can also select MIDI functions (MIDI) with the 1st EDIT CONTROL. Press the EDIT key to switch from EDIT A to EDIT E and vice versa. You reach the MIDI function by pressing the SETUP key

7.) The 2nd EDIT CONTROL allows you to modify the values of effect parameters EDIT B and EDIT F. When you select the INPUT parameter with the help of the SETUP key, you can specify whether the FX2000 functions mono or stereo mode

8.) The 3rd EDIT CONTROL modifies the values of effect parameters EDIT C, EQ LO, and the global OUTPUT parameter. Here, as well, you select among them using the EDIT and SETUP keys

9.) With the 4th EDIT CONTROL, you modify the values of effect parameters EDIT D, EQ HI, and the global parameter CONFIG . Use the EDIT and SETUP keys to choose between the parameters

10.) By turning the MIX/BYPASS CONTROL the effect levels of most effect algorithms are set in the range from 0 to 100%

11.) To select one of the 200 presets, press the PRESET key once, then rotate the JOG WHEEL

12.) To select one of the 71 basic effect algorithms, press the EFFECT key once, then rotate the JOG WHEEL

13.) To select the EDIT CONTROL function , press the EDIT key

14.) When you make changes to a user preset, the STORE key’s LED begins to blink

15.) If you have made changes to a preset and the LED of the STORE key is blinking, you can press the COMPARE key to temporarily restore the preset’s original settings

16.) To enter SETUP mode, press the SETUP key. In setup mode, you can access the parameters shown below the four EDIT CONTROLs

17.) To change a parameter’s value, rotate the JOG WHEEL. To increase the value, turn the wheel clockwise.

18.) Use the POWER switch to power up your FX2000. The POWER switch should always be in the “Off” position when you are about to connect your unit to the mains

19.) FUSE HOLDER / VOLTAGE SELECTION. Before connecting the FX2000, confirm that the voltage display matches your local mains voltage

20.) The FX2000 has wide-ranging MIDI implementation. MIDI IN, MIDI OUT, and MIDI THRU connectors are available for transmitting MIDI commands.

21.) SERIAL NUMBER. Please complete and return the warranty card within 14 days of the date of purchase

22.) The FX2000’s balanced OUTPUTs are designed as 1/4" TRS and XLR sockets.

23.) To switch between -10 dBV (home recording level) and +4 dBu (professional studio level), use the OPERATING LEVEL SWITCH.

24.) Both of the VIRTUALIZER 3D’s INPUTs are also available as balanced 1/4" TRS and XLR sockets

Using the VIRTUALIZER 3D in the aux bus

Using the FX2000 in the aux bus lets you feed signals from one, several or all channels of your console into the VIRTUALIZER 3D. When miking a drum kit, for example, you can use the aux controls to adjust the reverberation independently for each channel. Thus, you are able to assign a strong reverb to the snare rather than the toms. Cabling the VIRTUALIZER 3D in the aux bus should be carried out as follows:

Using the VIRTUALIZER 3D in the insert path

Generally, you can use the FX2000 on channel or subgroup inserts, using a standard insert cable. Connection to a channel insert makes sense when you want to process very specific signals (e.g. vocals) with the VIRTUALIZER 3D, or when all other options for connecting the FX2000 are already used by other units. For compressors, expanders and gates, the channel insert is the best choice.

Using the VIRTUALIZER 3D as an effects device for instruments

Due to its MIDI implementation, the VIRTUALIZER 3D can also be used as multi-effects unit in a guitar rack. Naturally, the VIRTUALIZER 3D can be cabled both as mono and as stereo unit. The following examples show how to use the FX2000 with a guitar setup

Using the VIRTUALIZER 3D in a MIDI setup

Thanks to the integrated MIDI interface, you can incorporate the FX2000 in a MIDI setup. The VIRTUALIZER 3D can receive and send both program changes and controller changes. Thus, you can use program changes using MIDI with a sequencer or with any other MIDI device. Connect the FX2000 e.g. as follows:

Specifications:

Product Details
Product Name	VIRTUALIZER 3D FX2000
Brand	BEHRINGER
Sale Price	Php 11,127.00
Mileage	Points :111.27
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Product Code	P0000HOP
Product Details	3D Multi-Engine Effects Processor
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